Adventures with Basil: NJ Art trip, June 11-13, 2026

Basil and I have had a very busy month. We recently went on an art trip to New Jersey to visit three art museums and a sculpture park. During out three-day trip we:

  • Discovered a new favorite art museum: Princeton Museum of Art.
  • Enjoyed our new favorite sculpture park: Grounds for Sculpture.
  • And finally had an opportunity to see some work by favorite artists in person.
Basil at Grounds for Sculpture, 2026

On Thursday, June 11th, on our way south, we made our first stop at SUNY/Purchase College’s Neuberger Museum to view the Guerrilla Girls: Food for Thought (exhibit will be up until August 2, 2026, if you are interested). We have long been fans of the Guerrilla Girls and were incredibly excited to see that a minor change of course south would allow us to visit the museum.

The exhibit featured some of their iconic works, please see below:

This is their most famous poster; it is known as “THE POSTER THAT CHANGED IT ALL

If you are interested in learning more about the Guerrilla Girls, their activism, projects and exhibits, please check out their site: Guerrilla Girls

We arrived later on Thursday afternoon at our home base to relax, grab some dinner and review plans for Friday.

As an aside: we picked up dinner at a nearby plaza which also happened to have an active brick and mortar Jerry’s Artorama! We had an opportunity to happily wander the aisles for a bit while waiting for dinner and picked up a new set of drawing pens to test out. Over the past couple of years we have watched as one physical art supply store after another closed. RIP: AC Moore, Artists and Craftsman in MA (still in Portland, ME) and Utrecht (although still alive online).

Grounds for Sculpture requires a timed admission ticket to get in, so we ordered ours Thursday afternoon for when they open at 10:00 AM. Earlier in the week we were worried that Friday would be rainy, but the day turned out to be wonderfully sunny… but also incredibly hot, so we were very happy that we chose to visit the park first, as it was already 80 degrees when we got into line to enter Grounds for Sculpture. Thankfully, the park is well thought out and has lots of shady areas and benches to rest on.

Grounds for Sculpture has 42 acres of gardens, paths and sculpture. We did not expect to cover it all in one day, but I feel that we did manage to see the majority of it, please see some pics below:

One unique feature of Grounds for Sculpture is that they have peacocks that are free to wander the park and they are glorious 🙂

After cooling down a bit in the main building, we headed off to the Princeton Art Museum for part 2 of the day’s adventure. One thing to note about visiting the museum is: there is NO on campus parking. In order to visit, you must leave your car in one of the nearby parking garages. As we already had a bit of a strenuous morning there was some concern that we may be overdoing things, but thankfully, the distance from the Spring Street parking garage to the Princeton Art Museum was not as far as we feared – and, as a bonus, the campus is well-planned out and nicely shaded 🙂

The Princeton Art Museum is three stories, the first has and admission desk (entrance if free), a wonderful large area with chairs and sofas (which we did take advantage of), and a special exhibition room. The second floor has the majority of the galleries, and the third floor has their restaurant.

Princeton is now our new favorite art museum and also has the most amazing entrance I have ever seen:

We had planned this trip to see Willem de Kooning: The Breakthrough Years (up until July 26th). We know that de Kooning is not for everyone, but I love seeing the artist’s creative process and had long heard of de Kooning’s habit of working on a painting all day only to scrape the paint off the canvas in the evening… repeatedly. It’s had to see this in pictures, so I was hoping that seeing them in person would help me understand de Kooning a little better and I believe it has, please see some highlights below:

It seems like every time we turned a corner there were more incredible works to view – as well as the discovery of a couple of new artists to look into.

I love when museums put husbands/wives near or next to each other and I notices that they did it twice: with David Smith and Dorothy Denher and with Kay Sage and Yves Tanguy:

As a bonus, my girl Gabrielle Munter was back where she belonged, so was thrilled to see her twice this year after her visit to the Guggenheim Museum earlier this year:

Basil and I had an early night on Friday after such a busy day, but we still had one more stop on our way home on Saturday: Montclair Art Museum in Montclair, NJ. We learned about the museum during the planning process and thought it would be a nice way to break up the ride home. The Museum is not large, but I enjoyed it, although a couple of galleries were temporarily closed, so we will have to visit again to see the rest on our next trip.

Montclair Museum had a room dedicated to George Inness and although we were aware of George, actually seeing his work in person made us re-think how we viewed his work, I found the paintings beautiful and somewhat haunting at times:

I am happy that Basil and planned this trip so that we returned home on Saturday afternoon and were able to rest on Sunday before returning to work. It was such a wonderful experience and we met the nicest people -we would do it all again in a heartbeat!

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If you enjoy the projects, pictures and posts, please see free to comment – feedback is encouraged and is always welcome.

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Art Adventures in NYC: April 2026

Raphael, Gabriel Munter and Robert Rauschenberg in NYC

When I started planning my recent trip to New York City last fall, seeing the Raphael exhibit at the Metropolitan Museum was not on my radar. I wanted to go to NYC to see the Gabriele Münter’s at the Guggenheim, the Raphael’s just happened to be at the Met at the same time I would be visiting – a very happy coincidence.

Raphael: Sublime Poetry – The Metropolitan Museum of Art opened on 3/29/26 and will run until 6/28/26.

Please note: If you are planning on visiting the Met to see the Raphael’s, be prepared for larger than usual crowds. This exhibit is being described as a “rare opportunity” and a “once in a lifetime experience”.

Yes, it WAS crowded when I visited, but we arrived prior to 10:30 AM and only eight days after the exhibit opened, so honestly, it could have been a whole LOT busier. As it was, we only had to wait a short time to purchase tickets and were able to walk right into the exhibit… along with hundreds of our new best friends.

And the reviews are 100% right: it IS a once in a lifetime experience. To have that many Raphael’s in one place and to be able to view them up close, is nothing short of phenomenal. And as exciting as it was to view the paintings, I must say that the drawings completely stole the show. The amount of detail and skill is indescribable.

Fun Fact: I found out AFTER I attended the exhibit that April 6th is one of the traditional dates for Raphael’s birthday – how cool is that? 🙂

The stairs at the Met

Some painting highlights below:

Some drawing highlights below:

One of the three tapestries on view:

While the morning was reserved for Raphael and the Met, the afternoon was for the Guggenheim. I am not sure how you tackle Frank Lloyd Wright’s unique museum design, but I find that taking the elevator to the 6th floor and working my way down the spiral works best for me.

First up was a visit to see Collection in Focus | Robert Rauschenberg: Life Can’t Be Stopped | The Guggenheim Museums and Foundation. The highlight of the exhibit was Rauschenberg’s epic Barge silkscreen, a monumental 32 foot silkscreen that I had not had an opportunity to see until now:

Robert Rauschenberg, Barge, silkscreen, 1962-1963

The Rauschenberg’s go down on May 3, 2026, so there is still some time left to see them if you are interested.

On level 4 and 5 you will find Gabriele Münter: Contours of a World | The Guggenheim Museums and Foundation. Please note that this exhibition closes on April 26, 2026, so only a couple of days left to view them.

I honestly cannot remember a US exhibition for Munter, so having the opportunity to visit and see over fifty paintings and photographs was hard to pass up.

The exhibit is phenomenal. If you have a chance to view the exhibit, I strongly suggest that you do:

Highlights from Level 5:

Highlights from Level 4:

Highlights from the Collection in Focus | Modern European Currents | The Guggenheim Museums and Foundation:

Natalia Goncharova, Cats (Rayonist Perception in Rose, Black and Yellow), 1913

Below: Franz Marc’s Yellow Cow, 1911, and White Bull, 1911, flank the opening to a gallery and are two of my favorites of his:

The Guggenheim announced last month that as part of the Carol Bove exhibition in the spiral, they were revealing a portion of the Joan Miro ceramic mural that is usually hidden by temporary walls was going to be on view. I had absolutely no idea that the mural was there so this was an extremely unique opportunity:

Joan Miro, Alicia, ceramic mural, full view, 1960s

The pictures below are the portion that is available to view, the middle and right pictures are what you can see inside of the cut-out:

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Gertrude Abercrombie at Colby College Museum of Art

I had come across Gertrude Abercrombie’s work relatively recently and found myself absolutely entranced with one of her paintings when I stumbled upon it at the Currier Museum of Art in Manchester, NH. It has been incorporated into a part of the exhibition “Nicholas Party and Surrealism: An Artist’s Take on the Movement” and the combination of the two works of art was intriguing. After that, I was absolutely hooked: Gertrude’s work, although small, was powerful and made you want to see more:

Gertrude Abercrombie, Lady with Black Braid, 1960 and Nicholas Party, pastel mural

Thankfully, the Colby College Museum of Art had announced the upcoming exhibition: Gertrude Abercrombie: The Whole World Is a Mystery right around the same time as the Currier exhibit was on view. Minor issue: Colby College is approximately three hours north of where I live, which only meant one thing: road trip!

This exhibition is HUGE and is spread out over two floors. It is well worth the trip to view the exhibit and if you visit during the week, you can pretty much have the exhibit to yourself (as we did).

Gertrude’s work is highly personal and uses repeated motifs, like the ivory tower, cats, tree stumps and picture within picture.

Gertrude Abercombie, Letter from Karl, 1940
Gertrude Abercrombie, Self-Portrait, the Striped Blouse, 1940
Gertrude Abercombie, The White Cat, 1938
Gertrude Abercrombie, The Church, 1938
Gertrude Abercrombie, The Ivory Tower, 1945
Gertrude Abercrombie, A Picture in a Picture in a Picture, 1955
Gertrude Abercrombie, Search for Rest (Nile River), 1951
Gertrude Abercrombie, miniature paintings, wearable art
Gertrude (center) and friends, 1944

Gertrude Abercrombie: The Whole World Is a Mystery is currently on view at the Colby College Museum of Art in Waterville, ME until January 11, 2026 and is well worth the drive up to view it. For additional information and a peek at the exhibit, please check out: https://museum.colby.edu/exhibitions/gertrude-abercrombie-the-whole-world-is-a-mystery

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If you enjoy the projects, pictures and posts, please see free to comment – feedback is encouraged and is always welcome.

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Adventures with Basil: Olana and the Fenimore Art Museum

Basil and I had the opportunity to visit Olana State Historic Site and the Fenimore Art Museum earlier this week. We couldn’t have asked for better weather to explore the Hudson Valley region: sunny and low 70 degrees 🙂

Our first stop on our 2-day visit was to Frederic Church’s home, Olana, even though the home is not open to tour on Mondays, the property is open to the public to view the outside of the home as well as explore the extensive property and walking paths.

Basil in front of Frederic Church’s home, Olana
Olana

There are many areas to just sit and enjoy the views, Basil especially loved the live wood benches:

Olana also had two site-specific outdoor artworks to enjoy during your stroll around the grounds. We were pleasantly surprised when we came upon Ellen Harvey’s installation ‘Winter in the Summer House’ not far from the house. It is quite unassuming on the outside, but once inside, the effect was stunning:

Ellen Harvey’s installation ‘Winter in the Summer House’, outside
Ellen Harvey’s installation ‘Winter in the Summer House’, inside

The best part of Olana? The absolutely amazing views of the Hudson River Valley region – we can see why Church chose this spot to build his home:

Our intention was to explore a portion of the nearby Hudson River Skywalk, which is a scenic 6-mile round trip pedestrian walkway, but our tour of Olana admittedly tuckered us out and we still had about 90-minute drive to arrive at our hotel, so we decided to explore the Skywalk on our next visit to the area.

I will admit that our recent adventure has ignited a renewed interest in the Hudson River School and their artists, so I expect that I will be spending some time with them in my studies soon. If you are interested in learning more, please check out https://en.wikipedia.org/wiki/Hudson_River_School

The highlight of our adventure was to visit the Fenimore Art Museum to see ‘Mary Cassatt / Berthe Morisot: Allies in Impressionism’ show on Tuesday morning. An opportunity to see work by these Ladies is rare, so for me, this was not to be missed:

Entrance to the Fenimore Art Museum
Berthe Mosisot, ‘Peasant Girl Amoung Tulips’
Berthe Morisot, ‘Woman and Child’
Mary Cassatt, ‘Jenny and Her Sleepy Child’
Mary Cassatt, ‘Summertime’

In case you are interested, the Cassatt/Morisot show closes September 1st, 2025, so there is still time to see it.

The Fenimore is also showing ‘The Power of Photography: 19th-20th Century Original Master Prints’, which I felt was absolutely incredible. The show features a selection of 120 iconic images by 120 different photographers, unfortunately, photography was not allowed, but the historical and social impact of the work was unmistakable.

The Fenimore also showcased some amazing masterworks:

Martin Johnson Heade, ‘Cattleya Orchid with Two Brazilian Hummingbirds’

I am especially a fan of Childe Hassam and was happy that he was represented:

Childe Hassam, ‘Mrs Hassam in the Garden’
William Merrit Chase, ‘The Lady in White’

After our tour of the Fenimore, Basil and I were looking forward to spending some time relaxing on the museum’s terrace overlooking Lake Otsego:

Basil and I are looking forward to a return visit, hopefully next summer!

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If you enjoy the projects, pictures and posts, please see free to comment – feedback is encouraged and is always welcome.

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Studio Update: June #2 2024

I have been playing with the small pictures and have added a light-ish ink wash of Chinese Black ink applied using a plastic syringe over the past week and a half.

I spent the most time on #1 and, after looking at it for the past couple of days, I have come to the conclusion that perhaps the choice to use the red Sharpie is not exactly working. The idea is closer to what I had in mind; I just feel that perhaps another color would have worked better in this case.

@2024, Jenn White, Untitled #4, black & red Sharpie, Chinese Black ink

I feel that the four pictures below show more promise and will be spending some more time this week playing with other ideas on how to finish these small studies:

@2024, Jenn White, Untitled #4, black & turquoise Sharpie, Chinese Black ink
@2024, Jenn White, Untitled #4, black & slate gray Sharpie, Chinese Black ink
@2024, Jenn White, Untitled #4, black & berry Sharpie, Chinese Black ink
@2024, Jenn White, Untitled #4, black & turquois Sharpie, Chinese Black ink

The decision to take a step back and to work on smaller pieces of paper and focus on creating these studies to work out the current challenges I have been experiencing on a larger scale is working out better than anticipated. I am finding that I am enjoying playing with the smaller sections and can visualize how these studies can be applied to my full-size pictures.

I’m curious to see where this will lead.

@2024, Jenn White, Basil with studies

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